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wed 1 may 2024 22:00 hour

“Permit me to inform you of my desire…”

In this episode of PopArt a selection of tracks that pleasantly surprised us recently, or – better yet – made our jaws drop in amazement.

 

  • Prefuse 73 – She Needs No Introduction
    New Strategies For Modern Crime Vol.1, 2024, Lex Records
  • Lorenzo Montanà – Arenaria
    Vion, 2024, N5MD
  • Marla Hansen – Chains
    Salt, 2024, Karaoke Kalk
  • Hior Chronik – Mend
    Crave For More, 2024 Kí
  • Marie Klock – Se Goinfrer De Rage / Pourqoi Tu Veux Que Je Parle Si Tu T’en Fous
    Damien Est Vivant, 2024, Pingipung
  • Jan Jelinek – Social Engineering 1
    The Narrative Of The Heritage, 2024, Faitiche
  • Istari Lasterfahrer – Du Büst Dood Dub
    Wat Ik Dacht Toen Ik Lag, 2024, Krachladen Dub/Makkum Records
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  • Norma Tanega – You’re Dead (edit)
    Walking My Cat Named Dog, 1966, New Voice Records
  •  
  • Jérémie Carrier – The Pendulum Experience (*)
    Phased Out, 2024, Self-released
  • Marewrew – Sikata Kuykuy – Snow Falling From A Tree
    Ukouk, 2024, Pingipung
  • Maja S.K. Ratke & Stian Westerhus – Walking Shadow
    All Losses Are Restored, 2024, Crispin Glover Records
  • Filax Staël – Blue Dances
    Traces, 2024, Revlaboratories
  • Taroug – Queen Of Carthage
    Darts & Kites, 2024, Denovali
  • Doc Wör Mirran ft. Adrian Gormley – Schnulz #1
    Schnulz, 2023, Attenuation Circuit
  • Seth Parker Woods, Ted Hearne – After We Ruin
    Difficult Grace, 2024, Cedille Records
  • Marina Herlop – Babel
    Nekkuja, 2023, Pan
  • Eugene Carchesio & Adam Betts – S
    Circle Drum Music, 2023, Room40
  • Kaiwei – Bamjam
    Reprocessor, 2023, Long Echo Music
  • Kelpe – Only 92
    LP10, 2024, Kit Records

 

(*) about The Pendulum Experience:

Jérémie Carrier

 

 

 

 

 

 

 

 

 

 

“So a chord has 15 notes, each has a difference of 0.2 BPM. The result is a gradual sweep of the spectrum of subdivisions! Every time we hear a bell, we arrive at an important subdivision, double hooks, triolets, hooks. Then the cycle repeats itself in the mirror. If you listen carefully you can even hear the septolets and quintolets at times! Then you can also see groups forming between the voices to create each subdivision.”
(Jérémie Carrier)

 

 

 

 

 

 

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