Documento

Not only did Sweelinck have several Dutch students, but he was also the reason that a Hamburg organ and composing school became the most famous of the 17th century; it took him 15 years to do that. Four of his most important students were Samuel Scheidt, Melchior Schildt, Heinrich Scheidemann, and Jacob Praetorius.

Samuel Scheidt (1586-1630)
1. Allein Gott in der Höh’sei Ehre

Dietrich Kollmansperger, organ
(CD Orgelmusik der Renaissance, Capriccio 49445)

Samuel Scheidt
2. Paduan dolorosa

Brisk Blokfluit Kwartet Amsterdam
(CD Schein en Scheidt, Globe GLO 5214)

Jacob Praetorius (1586-1651)
3. Surge Propera a 5
4. Quis novus hic oritur a 6
5. Preambulum ex d

Weser-Renaissance conducted by Manfred Cordes and Harald Vogel, organ
(CD Jacob Praetorius – Motets and Organ Works, CPO 999 215-2)

Jan Pietersz. Sweelinck (1562-1621)
6. Sponse Musarum Genus
7. Canticum Nuptiale in honorem Jacob Praetorii

Gesualdo Consort conducted by Harry van der Kamp
(CD JPS – De Wereldlijke Werken, Glossa GES 922401–NL)

Heinrich Scheidemann (1595-1663)
8. Surrexit pastor bonus

Klaus Eichhorn, organ
(CD Orgelmusik der Renaissance, Capriccio 49445)

Jan Pietersz. Sweelinck
9. Ave Maris Stella SwWV 193 for organ (to honour the righteous Jonghmans Henderick Scheijtman, of Hamborgh, written by Jan P. Sweelinck, Organist to Amsterdam, on 12 November 1614)
10. Ave Maris Stella (vocal version), SwWV a 3

Gesualdo Consort Amsterdam conducted by Harry van der Kamp. Bernard Winsemius, organ
(CD JPS – De Wereldlijke Werken, Glossa GES 922406–NL)

Melchior Schildt (1592-1667)
11. Magnificat 1 Modi 2 versus

Vincent van Laar, Arp Schnitger organ St. Ludgeri Kerk Norden
(CD Melchior Schildt – Complete Organ Works, Aliud ACD 91HD 01)

Jan Pietersz. Sweelinck
12. Psalm 111 (arr. Willem van Merwijk)
– Premiere partie
– Seconde partie
– Troisième et dernière partie

New Trombone Collective
(CD New Trombone Collective, Collective 097034)

Photo: Samuel Scheidt