A podcast on Bach, episode 23. In this episode of Bach & Co, we look back at the conversation we had earlier with Eduard and Ria van Hengel. We also pick up ‘Op Reis met Bach’.
We philosophise about how Bach brought text and music together and how he was able to keep up the great pace of weekly cantatas. Johann Sebastian must have used quite a bit of organisational talent for this.
We also have a unique story by Eduard van Hengel about how he was allowed to see the original score of the St. Matthew Passion.
And we pick up ‘On a Journey with Bach’ again when we travel further in the footsteps of Johann Sebastian Bach, as chronicled by Govert Jan in De Grote Bach Atlas.
gecorrigeerde partituur Matthäus Passion
Johann Sebastian Bach (1685–1750)
0. Tune Bach & Co:
From Sonata for violin and harpsichord Ni. 4 in C minor, BWV 1017: Siciliano (Largo)
Janine Jansen & Friends
1. From cantata “Gottes Zeit ist die allerbeste Zeit”, BWV 106 “Actus Tragicus”: I. Sonatina
Vox Luminis conducted by Lionel Meunier
(CD Bach – Actus Tragicus (Cantatas BWV 106, 150, 131, 12))
Johann Christoph Bach (1642-1703)
2. “Meine Freundin, du bist schön” (Arr. H. Grüss)
Capella Fidicina Leipzig conducted by Hans Grüss
(CD Sacred Music Of The Bach Family)
Antonio Vivaldi (1678-1741)
3. From Concerto in A minor, RV 522: Allegro
Nicholas Quardokus, organ Saint Thomas Church, New York
Johann Sebastian Bach
4. From Concerto in D minor, BWV 596: 1. (Ohne Bezeichnung)
Pieter van Dijk, organ
(CD Complete Bach Edition, Vol. 95 – Transcriptions)
