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Doulce Mémoire | Verdelot & Ganassi
Label: Ricercar: RIC371 (2016)
In 1535 the Italian Sylvestro Ganassi published the first written account on the art of musical embellishment. He wrote is specially for flute players and the recorder player of the Doulce Mémoire ensemble, Denis Raisin Dadre, applied those rules to Italian dancing music known as fróttola and to the madrigals of Philippe Verdelot. It’s similar to what happening in jazz today.
So basically, this programme is an hour of jazz from the Renaissance with the Doulce Mémoire ensemble.
Philippe Verdelot
01:05 | Tutt’il dì piango (arr. for vocals and chamber orchestra)
04:54 | Tutt’il dì piango (arr. for chamber orchestra)
08:59 | Bartolomeo Tromboncino – Nunqua fu pena magiore
16:42 | Anon. – Padouana della Ragione
Philippe Verdelot
19:37 | Igno soave ove il mio foco alento (arr. for vocals and chamber orchestra)
21:46 | Igno soave (instrumental version)
24:05 | Anon. – Padouana “La Ternarina”
Philippe Verdelot
25:45 | Donna che sete fra le donne belle (arr. for chamber orchestra)
28:33 | Dormend’un giorno a Baia (arr. for vocals and chamber orchestra))
31:10 | Filippo de Lurano – Aldi, donna, non dormire
34:47 | Melchiore de Barberiis – Fantasia sopra se mai provasti
37:20 | Anon. – Se a vostra voglia
42:04 | Philippe Verdelot – In me cresce l’ardore
Melchiore de Barberiis
45:24 | Madonna qual certezza
48:19 | Madonna qual certezza (instrumental version)
51:06 | Anon. – Pacientia ognom mi dice
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