The baroque spirit in all its musical shapes. Music by Italian composers who sought their fortune elsewhere in Europe, Italian arias and arias with Italian influence.
Jan Dismas Zelenka (1679-1745)
From oratorio ‘Gesù al Calvario’, ZWV 62:
1. Introduzione
2. Aria. A che riserbano i cieli i fulmini
Antonio Vivaldi (1678-1741)
Uit oratorio ‘Juditha triumphans’:
3. Aria. Agitata infido flatu diu
Matthew White, countertenor. Tafelmusik Baroque Orchestra ledby Jeanne Lamon
Giorgio Antoniotto (1692-1776)
4. Sonate in G major Op. 1, no. 8
Beiliang Zhu and Phoebe Carrai, cello. Charles Weaver, lute. Avi Stein, harpsichord
Alessandro Scarlatti (1660-1725)
From ‘Cain, overo Il primo omicidio’:
5. Aria. Perchè mormora il ruscello
6. Aria. Miei genitori, addio
Matthew White, countertenor. Tafelmusik Baroque Orchestra led by Jeanne Lamon
Salvatore Lanzetti (ca.1710-ca.1780)
7. Sonate in A minor, Op. 1, no. 5
Phoebe Carrai and Beiliang Zhu, cello. Charles Weaver, lute. Avi Stein, harpsichord
Antonio Caldara (ca.1670-1736)
From ‘La Passione di Gesù Cristo Signor Nostro’:
8. Aria. Giacchè mi tremi in seno
Matthew White, countertenor. Tafelmusik Baroque Orchestra led by Jeanne Lamon