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L’Esprit Baroque

The baroque spirit in all its musical shapes. Music by Italian composers who sought their fortune elsewhere in Europe, Italian arias and arias with Italian influence.

Jan Dismas Zelenka (1679-1745)
From oratorio ‘Gesù al Calvario’, ZWV 62:
1. Introduzione
2. Aria. A che riserbano i cieli i fulmini
Antonio Vivaldi (1678-1741)
Uit oratorio ‘Juditha triumphans’:
3. Aria. Agitata infido flatu diu
Matthew White, countertenor. Tafelmusik Baroque Orchestra ledby Jeanne Lamon

Giorgio Antoniotto (1692-1776)
4. Sonate in G major Op. 1, no. 8
Beiliang Zhu and Phoebe Carrai, cello. Charles Weaver, lute. Avi Stein, harpsichord

Alessandro Scarlatti (1660-1725)
From ‘Cain, overo Il primo omicidio’:
5. Aria. Perchè mormora il ruscello
6. Aria. Miei genitori, addio
Matthew White, countertenor. Tafelmusik Baroque Orchestra led by Jeanne Lamon

Salvatore Lanzetti (ca.1710-ca.1780)
7. Sonate in A minor, Op. 1, no. 5
Phoebe Carrai and Beiliang Zhu, cello. Charles Weaver, lute. Avi Stein, harpsichord

Antonio Caldara (ca.1670-1736)
From ‘La Passione di Gesù Cristo Signor Nostro’:
8. Aria. Giacchè mi tremi in seno
Matthew White, countertenor. Tafelmusik Baroque Orchestra led by Jeanne Lamon

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