Audiosphere Sound Experimentation 1980 – 2020. Part 9.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Black Quantum Futurism. (Camae Ayewa [Moor Mother] and Rasheedah Phillips). Anti-Clock. 4:20.
02. Blanca Rego. Looking For Patterns In The Flow of Data [fragment]. 5:08.
03. Bob Bellerue. esd*cat. 5:07.
04. Bobby Bird. Combustion [fragment]. 4:30.
05. Brandon LaBelle. Map 3 [fragment]. 4:52.
06. Brane Zorman & Irena Pivka. Field Frequency Flux [fragment]. 5:44.
07. Brian Lavelle. The Wood Turned Black and Silent [fragment]. 6:19.
08. Brice Jeannin. Kantarell. 5:37.
09. Brigitte Hart. A Murmuration [fragment]. 4:22.
10. Bruce Russell & Luke Wood. Etonian. 3:09.
11. Byetone (Olaf Bender). Grand Style. 6:11.
12. Christopher Fleeger. Adiabatica. 5:25.