Audiosphere Sound Experimentation 1980 – 2020. Part 14.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. D. Glare (Dominic Clare). 68 Samples At 68 BPM For Phased Heads [fragment]. 5:02.
02. Dale Lloyd. Know Random Events (Four). 4:56.
03. Daniel Blinkhorn. Anthozoa [fragment]. 5:18.
04. Daniel del Río. Synthetic Ambiences for an Empty Museum. 4:30.
05. daniel duchamP. organicus. 5:39.
06. Daniel Menche. Field of Skin [fragment]. 8:22.
07. Darien Brito. On Unquantifiable Boundaries [fragment]. 4:32.
08. Dario Sanfilippo. Order from Noise [fragment]. 6:00.
09. Darius Čiuta. l2di-(3) [fragment]. 5:33.
10. Das Synthetische Mischgewebe. 2020 Jazz Fuck Greats. 5:22.
11. Dickson Dee. Hong Kong protests — five demands, not one less. 4:57.