Episode 6 of Tangos Despreciados, on “disapproved of tangos”. Featuring: women’s vocals.
The richness of tango music is subjective. For instance, everyone has their personal preferences for instruments: one person likes to listen to groaning bandoneons, another to caressing violins. The same goes for singing voices. But some people don’t enjoy singing at all. And women’s voices, in particular, are frowned upon.
Playlist
- Nelly Omar & Francisco Canaro, Canción Desesperada, 1946
2. Nelly Omar & Francisco Canaro, Dejame, no quiero verte más, 1947
3. Libertad Lamarque , Madreselva, 1938
4. Libertad Lamarque, Besos Brujos, 1937
5. Azucena Maizani, Malevaje, 1928
6. Tita Merello, Paquetín, paquetón, 1930
7. Tita Merello, Se dice de mi, 1954
8. Ada Falcón & Francisco Canaro, Te quiero, 1932
9. Ada Falcón & Francisco Canaro, Envidia, 1936
10. Tania & Enrique Santos Discépolo, Desencanto, 1937
11. Tania & Enrique Santos Discépolo, Un reproche, 1937
12. Mercedes Simone & Adolfo Carabelli, Volvé, 1932
13. Mercedes Simone, Alberto Gomez & Adolfo Carabelli, Cantando, 1931
14. Nina Miranda & Donato Racciatti, Gloria, 1952
15. Nina Miranda & Graciano Gómez, Arrabalero, 1950
16. Nelly Omar & Francisco Canaro, Rosas de otoño, 1946
17. Nelly Omar & Francisco Canaro, Desde el alma, 1947
18. Adriana Varela & Sexteto Mayor, Malena, 1995