Re:light
do 8 jun 2023 23:00 uur
Audiosphere Sound Experimentation 1980 – 2020. Part 26. Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain. Curator, production and realisation by Francisco López. Head of exhibition: Teresa Velázquez. Exhibition coordination by Rafael García and Natalia Guaza. " Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio." • Francisco López. By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation. Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980's, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator. Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening. 01. Io Casino. Summum Bonum. 5:52. 02. Ipek Gorgun. Afterburner. 4:17. 03. Irene Moon (Katja Chantre Seltmann). bat auk. 4:11. 04. Irina Escalante Chernova. Impresiones. 1:50. 05. Island Songs (Nicolas Perret & Silvia Ploner). I Got My Horse Right Outside. 6:20. 06. Israel Martínez. Mi Vida. 7:00. 07. Iury Lech. Var Var. 4:00. 08. Jacaszek. Pentral IX. 3:47. 09. Jaime D. Rojas Vargas. Sensaciones del río. 6:21. 10. James Brewster. Electro-Acoustic Café. 2:59. 11. James P. Keeler. untitled (5 Shades For A Grey Room). 2:07. 12. James Webb. Tangier Plant Radio. 2:00. 13. Jan-Peter E.R. Sonntag. EMP. 6:00. 14. Jorge Vicario. second movement for elastic tape. 2:46.
