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Alles van Kyle Gann

Crosslinks | Eigentijdse muziek

Electronic Frequencies

wo 27 sep 2023 23:00 uur

Against the grains with Dennis Bathory-Kitsz. 01. Composition for Tape & Soloists * Claire Chomentowski, voice. 1969. 02. Electronic Construction in Glass. 1970. 03. Singing Noise Colors * Linda Kay, voice. 1971 • 04. Construction: on nix rest… in China * Jim Fulkerson/Hilary Jeffery, trombones. 1972. 05. Rando's Poetic License * DB-K, voice. 1978. 06. Not Vermont Hardware * David Gunn/Claire Chomentowski/DB-K, voices. 1979. 07. Echo * DB-K, viols. 1986. 08. Meditation on the Llama Sutra *. 1993. 09. For the Invisible. 1994. 10. zéyu. Chris Mann, source voice. 1996. 11. quânh. Chris Mann, source voice. 1996. 12. sweeh. Chris Mann, source voice. 1996. 13. Zonule Glaes II * Styx-Q VIP Positive, string quartet. 1999. 14. bellyloops. Random source voices. 1999. 15. No Money (Lullaby for Bill). Bill Gates, source voice. 1999. 16. RatGeyser * Michael Manion, malletKat. 2000. 17. Snare:Wilding. Random source voices. 2000. 18. Williams A26. Shannon Williams, voice. 2000. 19. iskajtbrz. 2003. 20. The Warbler's Garden. 2003. 21. nysuca hanei. 2005. 22. Syrenical *. 2005. 23. filouria. 2006. 24. Future Remembrance. 2007. 25. smuttle DB-K, voice. 2008. 26. imanuevilla * Manuela Barile, source voice. 2009. 27. blinded. 2010. 28. Driving My 1948 Limbo. 2010. 29. at 100. 2012. 30. What the Thunder Said *. 2020. * = excerpt. Composition notes: • Dennis Bathory-Kitsz's electroacoustic music has always been concerned with original acoustic sources, whether by using human performers or sourcing and transforming and then layering and spatializing the human voice and acoustic instruments in developing an electronic sound library and compositional approach. This hour carries the listener through more than 50 years of the composer's electroacoustic works, using all of or excerpting from 30 of the composer's nearly 100 compositions. Because of compromised high-frequency hearing due to his age, Dennis has paused creating electroacoustic music in 2020, giving himself time to re-think how to work in the lower-frequency realm. Composition for Tape & Soloists (1969) was composed entirely on paper, rendered four years later, with its first and only performance in 1985. A few minutes of its full 16-minute length are heard here, with Claire Chomentowski on the vocal line. Electronic Construction in Glass (1970) slices off the attack of each struck glass, producing a soft and fleeting effect. Singing Noise Colors (1971) places a vocal line against various colors of noise, emphasizing their spectra. The first portion of the piece is heard here. Construction On Nix Rest in China (1972) is an early multichannel sample piece, using two trombones creating a contrast of attitudes with the audio sampled from radio and recordings. It was first performed and recorded by James Fulkerson and Hilary Jeffery in 2003. A two-minute excerpt of the 12-minute work is heard here. Rando's Poetic License (1978) uses nascent microcomputer technology to create an interactive soundscape within and around the audience. It was first performed and recorded at the Washington (DC) Project for the Arts in 1978. A third of the work is heard here. Not Vermont Hardware (1979) is a performance work including computer-driven sounds, live voices, and manual typewriters. A few minutes from the middle of the half-hour piece are heard here. The voices are David Gunn, Claire Chomentowski, and the composer. Echo (1986) is an hour-long performance work including transformed viol and choral sounds, live singing, and acoustic and electronic instruments designed and built by the composer. A few minutes of the transformed viols are heard here in this 1986 performance. Meditation on the Llama Sutra (1993) uses the sound of mating llamas, transformed viols, and voices to create an oddly erotic soundscape. The work was also used as the electronic portion of the later work Llama Butter. Two minutes of the 22-minute work are heard here. For the Invisible (1994) is a 17-second sounder created for the "New Music Newsline" of Kalvos & Damian's New Music Bazaar (1995- 2005). It acts as a fanfare between each announcement. zéyu, quânh, and sweeh (1996) are three brief creations based on the source voice of Chris Mann, and created for the Frog Peak Collaborations Project, where all 115 compositions on the double CD used Mann's voice as a source. Zonule Glaes II (1999) is an hour-long work with live multichannel sound by a string quartet and a recorded track developed from voices speaking numbers and phrases in English and Czech. It was first performed at the Mánes Museum in Prague by the Styx-Q VIP Positive string quartet. Three minutes are heard here. bellyloops (1999) uses random source voices to create a slightly stretched, repetitive rhythmic pattern as it slowly transforms the sources surrounding it so they become audible and then disappear within the texture. No Money (Lullaby for Bill) (1999) uses the voice of Bill Gates from the composer's 1980 interview with him, decontextualizing some of the conversation while highlighting the stunning central line—"there's nobody getting rich writing software". All the sounds in the composition were developed from Gates's voice. RatGeyser (2000) was commissioned by renowned percussionist Michael Manion for his MalletKat. It uses both highly rhythmic and linear vocal elements. About a third of the composition is heard here in Manion's studio recording. Snare:Wilding (2000) uses the same random source voices as bellyloops, but with a political purpose, creating a rising tension as "no!" rises in the background, in consideration of the 'wilding' attack in New York's Central Park in 2000. Williams A26 (2000) uses the voice of Shannon Williams not only in reciting her own poem, but also in the development of every sound heard in this piece. It is the 26th and most vital mix from the original dozens of takes from her recitation. iskajtbrz (2003) is a work whose sources are skateboard sound samples provided by a Japanese company for use in a documentary about the • sport. The three-section work is heard in its entirety. The Warbler's Garden (2003) is the first of several years' worth of one-minute compositions created for the Vox Novus 60×60 project. It is developed and transformed from a single boot footfall inside a covered bridge and a single bird call nearby. A set of variations was extended from this work, entitled Manifold Warblers. nysuca hanei (2005) is also for 60×60, transforming a single vocal scream into a short series of intense, scattered rhythmic events. Syrenical (2005) is a relentless series of air-raid sirens, a terrifying sound from the composer's youth when 'duck and cover' was practiced almost daily in school. About a third of the composition is heard here. filouria (2006) is one of a series of short pieces and later longer 'manifolds' developed from the transformation of a single Theremin/voice theme. For 60×60. Future Remembrance (2007) transforms and mixes sounds recorded on a farm in Portugal and during Holocaust Remembrance Day in the Netherlands. For 60×60. smuttle (2008) takes from the library of fireworks explosions and other acoustic sources along with the composer's voice for a one-minute erotic cringe. For 60×60. imanuevilla (2009) transforms the laughing voice of sound and performance artist Manuela Barile into a howling cry against percussive sounds developed from a closing door. About a third of the work is heard. blinded (2010) is about rethinking previous library sounds—fireworks, Gates's voice, and a single drone in the suggestion that listeners are acoustically blinded to the drone while picking out the surface sounds; a cry of "blinded" arises during the final seconds. For 60×60. Driving My 1948 Limbo (2010) uses the earlier scream from nysuca hanei in short bursts of rhythmic confusion. For 60×60. at 100 (2012) takes the sounds of a grand piano into a random dimension, including string-scratching and impossible arpeggios. For 60×60. What the Thunder Said (2020) is the composer's last electroacoustic composition, layering sounds of people, animals, singing voices, train horns, locomotive roars, groans, sighs, and library elements from previous compositions, reaching back through all 50 years for its • sources. It was first heard in Moscow, Russia, in 2020. Biography Dennis Bathory-Kitsz • As part of the post-Fluxus generation of independent artists, Dennis Bathory-Kitsz (b.1949) composes, writes about, and advocates for nonpop. He has created more than a thousand works for orchestras, bands, sound sculptures, soloists, chamber groups, electronics, theater, opera, installations, dancers, interactive media and performance events, as well as having written about music and multimedia arts since 1964. His music has been performed around the world. In 1978, his opera Plasm over ocean was premiered at the World Trade Center in New York. He devised the We Are All Mozart music 'productivity' project, composing 100 commissioned works in 2007. His monodrama opera • Erzsébet premiered in 2011. His groundbreaking article "The Rural Composer" was published in the Dutch journal Nynade in 2013. His "history of Western music in 100 pages," Whaaaaaaaaat!? I Don't Get Classical Music: A Self-Help Desperation Guide, was published in 2016. His ballet Send Me a Dream was performed in 2018, his political oratorio Goat Songs of the Regime of Monsters was presented in 2019, and his Requiem will be heard in 2024. He is presently celebrating his 75th birthday season. Critic and composer Kyle Gann called him "something of a shadowy figure" and wrote in New Music America that his third string quartet is "one of the most unified quartet movements you'll ever hear." His music includes traditional and graphic scores, his own electronic and acoustic instruments, computer software and hardware, synthesizers and e-boxes, electronic costumes, the Rhythmatron, and extended voice performances. His graphical scores have been performed and appeared in exhibitions around the world, including the prize-winning Water No Fire for flute and alto saxophone. Dennis co-hosted Kalvos & Damian's New Music Bazaar, winner of the ASCAP–Deems Taylor Award for Internet Journalism, with David Gunn; his book topics have included music, theater, computer technology, hiking, and Vermont's country stores. https://maltedmedia.com/people/bathory/bathres.html

Hedendaags

De Nacht: Hedendaags

do 25 aug 2022 02:00 uur

Contemporary Music Night #103 – Cold Blue Music # 4. De 103e tweewekelijkse Hedendaagse Muziek Nacht op de Concertzender met vannacht de vierde aflevering van een serie van tien nachten die geheel gewijd zijn aan het Amerikaanse Cold Blue Music label. Vannacht: Daniel Lentz, Michael Jon Fink, Steve Peters, Kyle Gann, Rick Cox, Jim Fox, Chas Smith, Michael Fahres and Charlemagne Palestine. • Daniel Lentz | Los Tigres de Martes • 1. Daniel Lentz. Los Tigres de Martes (2003). 15:02 • Marty Walker: clarinet. Daniel Lentz, Brad Ellis: keyboards. Peter Kent, Robin Lorentz: violin. Maria Newman: viola. Erika Duke-Kirkpatrick: cello. CD 2004 – Cold Blue Music CB016 • | • | • | • | • | • Michael Jon Fink | A Temperament for Angels • 2. Michael Jon Fink. A Temperament for Angels (2003). 28:23 • Robin Lorentz: violin. Erika Duke Kirkpatrick: cello. Michael Jon Fink: keyboards, cimbals. CD 2004 – Cold Blue Music CB017 • | • | • | • | • | • Steve Peters | From Shelter • 3. Steve Peters. For Shelter (1997). 15:54 • Marghreta Cordero: voice. Alicia Ultan: viola. Steve Peters: piano. CD 2004 – Cold Blue Music CB018 • | • | • | • | • | • Kyle Gann | Long Night • 4. Kyle Gann. Long Night (1980-81). 25:05 • Sarah Cahill: piano. CD 2005 – Cold Blue Music CB019 • | • | • | • | • | • | • Rick Cox | Fade • 5. Rick Cox. Fade (2004). 25:113 • Rick Cox: e-guitar. CD 2005 – Cold Blue Music CB020 • | • | • | • | • | • | • Jim Fox | Descansos, Past • 6. Jim Fox. Descansos, Past (2004). 15:09 • Barry Newton: double bass. Erika Duke-Kirkpatrick, Jessica Catron, Aniela Perry, Rachel Arnold: cello. CD 2004 – Cold Blue Music CB021 • | • | • | • | • | • | • Daniel Lentz | On the Leopard Altar • Daniel Lentz. 7. Is it love ? (1984). 9:04 • 8. Lascaux (1984). 9:20 • 9. On the leopard altar (1984). 5:19 • 10. Wolf is dead… (1984). 10:04 • 11. Requiem (1984). 2:27 • Daniel Lentz: keyboards. Arlene Dunlap, Brad Ellis, David Kuehn: keyboards, wineglasses. Dennis Parnell, Paul MacKey: voice. Jessica Karraker, Susan James: voice, wineglasses. CD 2006 – Cold Blue Music CB022 • | • Chas Smith | Descent • Chas Smith. 12. Descent (2003). 18:05 • Chas Smith: performer [Stainless Steel Sheet, Jet Plane/notch Filters, Copper Box, Que Lastas, Jr. Blue], steel guitar. 13. Endless mardi gras (2004). 20:50 • Chas Smith: performer [Jet Planes, Jet Planes/notch Filters, Copper Box], steel guitar, guitar [Guitarzilla], flute, zither. 14. False clarity (2005). 9:41 • Ojá Fin: voice. Chas Smith: steel guitar, performer [Pez Eater, Copper Box, Jr. Blue, Que Lastas]. CD 2006 – Cold Blue Music CB023 • | • Michael Fahres | The Tubes • Michael Fahres. 15. Sevan (2000/03). 8:31 • Parik Nazarian: voice. Michael Fahres: electronics • 16. The Tubes (1994/2003). 30:53 • Jon Hassell: trumpet. Mark Atkins: didgeridoo. Michael Fahres: electronics. 17. Coimbra 4, Mundi Theatre (2004/06) . 7:044:41 • Michael Fahres: electronics. CD 2007 – Cold Blue Music CB024 • | • Charlemagne Palestine | A Sweet Quasimodo between Black Vampire Butterflies for Maybeck • 18. Charlemagne Palestine. A Sweet Quasimodo Between Black Vampire Butterflies for Maybeck (2006). 36:49 • Charlemagne Palestine: piano, voice. CD 2007 – Cold Blue Music CB025 • | • | • | • All further information can be found on • www. coldbluemusic.com

Hedendaags

De Nacht: Hedendaags

do 11 aug 2022 02:00 uur

Contemporary Music Night #103 – Cold Blue Music # 4. De 103e tweewekelijkse Hedendaagse Muziek Nacht op de Concertzender met vannacht de vierde aflevering van een serie van tien nachten die geheel gewijd zijn aan het Amerikaanse Cold Blue Music label. Vannacht: Daniel Lentz, Michael Jon Fink, Steve Peters, Kyle Gann, Rick Cox, Jim Fox, Chas Smith, Michael Fahres and Charlemagne Palestine. • Daniel Lentz | Los Tigres de Martes • 1. Daniel Lentz. Los Tigres de Martes (2003). 15:02 • Marty Walker: clarinet. Daniel Lentz, Brad Ellis: keyboards. Peter Kent, Robin Lorentz: violin. Maria Newman: viola. Erika Duke-Kirkpatrick: cello. CD 2004 – Cold Blue Music CB016 • | • | • | • | • | • Michael Jon Fink | A Temperament for Angels • 2. Michael Jon Fink. A Temperament for Angels (2003). 28:23 • Robin Lorentz: violin. Erika Duke Kirkpatrick: cello. Michael Jon Fink: keyboards, cimbals. CD 2004 – Cold Blue Music CB017 • | • | • | • | • | • Steve Peters | From Shelter • 3. Steve Peters. For Shelter (1997). 15:54 • Marghreta Cordero: voice. Alicia Ultan: viola. Steve Peters: piano. CD 2004 – Cold Blue Music CB018 • | • | • | • | • | • Kyle Gann | Long Night • 4. Kyle Gann. Long Night (1980-81). 25:05 • Sarah Cahill: piano. CD 2005 – Cold Blue Music CB019 • | • | • | • | • | • | • Rick Cox | Fade • 5. Rick Cox. Fade (2004). 25:113 • Rick Cox: e-guitar. CD 2005 – Cold Blue Music CB020 • | • | • | • | • | • | • Jim Fox | Descansos, Past • 6. Jim Fox. Descansos, Past (2004). 15:09 • Barry Newton: double bass. Erika Duke-Kirkpatrick, Jessica Catron, Aniela Perry, Rachel Arnold: cello. CD 2004 – Cold Blue Music CB021 • | • | • | • | • | • | • Daniel Lentz | On the Leopard Altar • Daniel Lentz. 7. Is it love ? (1984). 9:04 • 8. Lascaux (1984). 9:20 • 9. On the leopard altar (1984). 5:19 • 10. Wolf is dead… (1984). 10:04 • 11. Requiem (1984). 2:27 • Daniel Lentz: keyboards. Arlene Dunlap, Brad Ellis, David Kuehn: keyboards, wineglasses. Dennis Parnell, Paul MacKey: voice. Jessica Karraker, Susan James: voice, wineglasses. CD 2006 – Cold Blue Music CB022 • | • Chas Smith | Descent • Chas Smith. 12. Descent (2003). 18:05 • Chas Smith: performer [Stainless Steel Sheet, Jet Plane/notch Filters, Copper Box, Que Lastas, Jr. Blue], steel guitar. 13. Endless mardi gras (2004). 20:50 • Chas Smith: performer [Jet Planes, Jet Planes/notch Filters, Copper Box], steel guitar, guitar [Guitarzilla], flute, zither. 14. False clarity (2005). 9:41 • Ojá Fin: voice. Chas Smith: steel guitar, performer [Pez Eater, Copper Box, Jr. Blue, Que Lastas]. CD 2006 – Cold Blue Music CB023 • | • Michael Fahres | The Tubes • Michael Fahres. 15. Sevan (2000/03). 8:31 • Parik Nazarian: voice. Michael Fahres: electronics • 16. The Tubes (1994/2003). 30:53 • Jon Hassell: trumpet. Mark Atkins: didgeridoo. Michael Fahres: electronics. 17. Coimbra 4, Mundi Theatre (2004/06) . 7:044:41 • Michael Fahres: electronics. CD 2007 – Cold Blue Music CB024 • | • Charlemagne Palestine | A Sweet Quasimodo between Black Vampire Butterflies for Maybeck • 18. Charlemagne Palestine. A Sweet Quasimodo Between Black Vampire Butterflies for Maybeck (2006). 36:49 • Charlemagne Palestine: piano, voice. CD 2007 – Cold Blue Music CB025 • | • | • | • All further information can be found on • www. coldbluemusic.com

Hedendaags | Eigentijdse muziek

wo 19 aug 2020 20:00 uur

Hedendaagse muziek. 01 – Teodora Stepancic & Martin Lorenz – "Signs – Shapes #01" (07:50) • 02 – Teodora Stepancic & Martin Lorenz – "Signs – Shapes #02" (05:05) • 03 – Los Tigres del Norte – "Contrabando y traición" (03:27) • 04 – Carlos Iturralde – "Cosas…Incompartidas" (13:38) • 05 – Manolo Juárez – "Siete de Abril" (02:36) • 06 – Manolo Juárez – "La Telesita" (03:03) • 07 – Manolo Juárez – "Zamba de Lozano" (05:11) • 08 – Teodora Stepancic & Martin Lorenz – "Signs – Shapes #05" (06:55) • 09 – Kyle Gann – "Going to bed (Homage to Philip Glass)" (06:07)

Hedendaags | Eigentijdse muziek

wo 22 jul 2020 20:00 uur

Toetsenspektakel met Kyle Gann. De piano in alle toonaarden en klankkleuren. Voor de Amerikaanse componist Kyle Gann is de piano een geweldig klankbord voor al zijn muzikale ideeën. Gann is een ware eclecticus die inspiratie put uit postminimalisme, microtonale experimenten en onvervalste melodische schoonheid. De uit Texas afkomstige Kyle Gann leerde het vak van componisten als Ben Johnston en Peter Gena. Als gewaardeerd muziekcriticus deed Gann verslag van de levendige New Yorkse eigentijdse-muziekscene. Een smeltkroes van invloeden die je ook in zijn kleurrijke muziek terug hoort. Op de piano, het disklavier en achter de elektronicatafel tovert Gann met de meest exotische stemmingen en complexe ritmische inventies. In deze Thema uitzending een overzicht van Kyle Ganns werk waaronder als klapstuk zijn grote suite 'Custer and Sitting Bull' waarin Gann op verrassende wijze een historische gebeurtenis in microtonale klanken drenkt. Kyle Gann: • 1. 'Space Cat' uit 'Hyperchromatica' (2015-2017), voor drie gestemde, computer aangedreven piano's, op Kyle Gann: Hyperchromatica. Kyle Gann, piano's/programmering. Other Mind Records OM 1025-2 CD • 2. 'Ride the Cosmos' uit 'Hyperchromatica' (2015-2017), voor drie gestemde, computer aangedreven piano's, op Kyle Gann: Hyperchromatica. Kyle Gann, piano's/programmering. Other Mind Records OM 1025-2 CD • 3. 'Andromeda Memories' uit 'Hyperchromatica' (2015-2017), voor drie gestemde, computer aangedreven piano's, op Kyle Gann: Hyperchromatica. Kyle Gann, piano's/programmering. Other Mind Records OM 1025-2 CD • 4. 'Futility Row' uit 'Hyperchromatica' (2015-2017), voor drie gestemde, computer aangedreven piano's, op Kyle Gann: Hyperchromatica. Kyle Gann, piano's/programmering. Other Mind Records OM 1025-2 CD • 5-6. 'Desert Sonata' in twee delen (1995), voor piano, op Lois Svard: Other Places. Lois Svard, piano. Lovely Music LCD 3052 CD • 7. 'Long Night' voor drie piano's (1980-1981), op Jeroen van Veen: Minimal Piano Collection Volume X-XX. Jeroen van Veen, piano's. Brilliant Classics 9171 CD-box • 8-11. 'Custer and Sitting Bull' in vier delen (1995-1999) op Kyle Gann: Custer and Sitting Bull. Kyle Gann (stem & electronics). New World Records 80801-2 CD

Hedendaags | Eigentijdse muziek

wo 27 mrt 2019 20:00 uur

Maverick klankvisioenen. Het is een typisch Amerikaans fenomeen: de maverick componist. Eén licht excentrieke muziekpionier die volledig zijn eigen pad uitstippelt. Alsof de spirit van de Pilgrim Fathers is neergedaald op deze eigenzinnige toondichters. Ze zijn zelden in een hokje of stijlperiode te proppen. Om hun klankvisioenen te realiseren gebruiken ze minder voor de hand liggend instrumentarium, zoals synthesizers, zelfgebouwde elektronica of player piano's. Soms buitengewoon complexe muziek die niet altijd door mensenhanden uitgevoerd kan worden. Van duizelingwekkende ritmes tot vreemde stemmingen en muzikale hersengolven. In deze Thema uitzending passeren enkele opmerkelijke klankvisioenen van mavericks als David Rosenboom, Peter Thoegersen, Ivor Darreg, Conlon Nancarrow en Kyle Gann. 1. Conlon Nancarrow: 'Study for Player Piano No. 35' op Conlon Nancarrow: Studies for Player Piano Vol I & II. Conlon Nancarrow, player piano. (opname 1988). Wergo 6168/69-2 CD • 2. Conlon Nancarrow: 'Study for Player Piano No. 32' op Conlon Nancarrow: Studies for Player Piano Vol I & II. Conlon Nancarrow, player piano. (opname 1988). Wergo 6168/69-2 CD • 3+4. Conlon Nancarrow: 'Study for Player Piano No. 40 a+b' op Conlon Nancarrow: Studies for Player Piano Vol I & II. Conlon Nancarrow, player piano. (opname 1988). Wergo 6168/69-2 CD • 5. David Rosenboom: 'The Right Measure of Opposites (expanded movement from Bell Solaris) (1998/2018) op David Rosenboom: Deviant Resonances. David Rosenboom, twee Yamaha disklaviers, electronics, computer algorithms. Ravello Records RR8009 2CD • 6. Ivor Darreg: '51 Tones per octave (from Beyond the Xenharmonic Frontier)' op Ivor Darreg: Detwelvulate! Ivor Darreg (midi-files, electronics). National Society for the Decriminalization of Microtones (eigen uitgave) CD • 7. Ivor Darreg: '53 Tones per octave (from Beyond the Xenharmonic Frontier)' op Ivor Darreg: Detwelvulate! Ivor Darreg, midi-files, electronics. National Society for the Decriminalization of Microtones (eigen uitgave) CD • 8. Kyle Gann: 'Ghost Town' op Century XXI Electronics USA. Kyle Gann, sample keyboard, electronics. NewTone Records NT6730 CD • 9. Peter Thoegersen: 'Irrational Quartet' (2018) op Peter Thoegersen: Three Pieces in Polytempic Polymicrotonality. Peter Thoegersen, synthesizer. New World Records 80812-2 CD • 10. David Rosenboom: 'Portable Gold and Philosophers' Stones (Deviant Resonances) (2015), op David Rosenboom: Deviant Resonances. David Rosenboom, electronics, computer algorithms + Sarah Belle Reid en Micaela Tobin, hersengolven/performers. Ravello Records RR8009 2CD

Hedendaags

ma 26 apr 2010 20:00 uur

De Volharding & The Minimalists. Orkest de Volharding is een uniek en invloedrijk Nederlads ensemble. Na vele slopende bezuinigingsronden is De Volharding niet meer publiekelijk actief. Af en toe komt het echter bij elkaar om bijzondere opnames te maken. Een van de eerste c.d.'s is "The Minimalists"dat eind vorig jaar verscheen op het Amerikaanse Mode records. Een fraaie dubbel cd. met lalleen muziek van minimal pioniers en componisten die beinvloed zijn door deze stroming. Orkest De Volharding olv. Jussi Jaatinen: The Minimalists: Mode 214/15 CD. 1 David Lang: Street • 2 Steve Reich: City Live • 3 Kyle Gann: Sunken City. mey Geoffrey Douglas Madge • 4 Terry Riley: In C.

Nieuwe Muziek Nacht

di 18 apr 2006 01:00 uur

Cold Blue Nacht # 2. Een koude, helderblauwe nacht met het label Cold Blue. Traag glijden eindeloze landschappen voorbij, woestijnzand in de ogen en de zon schijnt ongenadig op de blote bol. Lekker rondcrossen in de auto want je hebt toch zeeën van tijd. Ontspannende dan wel heetgebakerde muziek die past bij de verzengende zomerhitte van de Amerikaanse westcoast. De nieuwste muziek van componisten als Daniel Lentz, Chas Smith, Jim Fox en Michael Jon Fink. Het Amerikaanse label Cold Blue is in Europa nog niet heel erg bekend, maar het label heeft een geheel eigen signatuur. Muziek waarin meditatie, minimalisme, zomerse pop en zelfgebouwde instrumenten een belangrijke rol spelen. Cold Blue is na een lange periode van stilte, ineens weer enorm actief met een groot aantal nieuwe releases en re-releases. Tijdens deze 'lange nacht' van Cold Blue een ruime selectie oude en nieuwe opnames, met onder meer delen uit de voortgaande EP-serie van Cold Blue, de heruitgebrachte, roemruchte 10 inch serie van Cold Blue en recente muziek van Daniel Lentz, Chas Smith, Jim Fox en Kyle Gann. Los tigres de marte • Lentz. Daniel. 1. Los tigres de marte. Marty Walker, klarinet. Brad Ellis & Daniel lentz, keyboard. Peter Kent & Robin Lorentz, viool. Maria Newman, altviool. Erika Duke-Kirkpatrick, cello. Cold Blue Music CB0016 • Long night • Gann, Kyle. 1. Long night. Sarah Cahill (piano) • Cold Blue Music CB0019 • From Shelter • Peters, Steve. 1. Three Short Stories. 2. My burning skin to sleep. Marghreta Cordero, stem. Alicia Ultan, altviool. Steve Peters, piano. Cold Blue Music CB00118 • The city the wind swept away • Fox, Jim. 1. The city the wind swept away. Alex Iles & Jeannie Little, trombone. Bob Sanders & David Stetson, bastrombone. Bryan Pezzone, piano. Peter Kent & Robin Lorentz, viool. Maria Newman, altviool. Erila Duke-Kirkpatrick, cello. Cold Blue Music CB0015 • A temperament for angels • Fink, Michael Jon. 1. A temperament for angels. Robin Lorentz, viool. Erila Duke-Kirkpatrick, cello. Jonathan Marmor, bekkens. Michael Jon Fink, bekkens en keyboards • Cold Blue Music CB0017 • The complete 10-inch series from cold blue • Garland, Peter. 1. Matachin Dances. Ronald Erickson & John Tenney, viool. Peter Garland, percussie • Fink, Michael Jon. 2. Two pieces for piano solo. 3. Piano solo. Duncan Goodrich, piano • 4. vocalise. Erika Duke-Kirkpatrick, cello • 5. Veil for two pianos. Duncan Goodrich & Michael Jon Fink, piano • Childs, Barney. 6. Clay Music. Susan Rawcliffe, Lisette Rabinow Georgia Alwan & Scott Wilkinson, diverse fluiten • Miller, Read. 7. Mile zero hotel. Read Miller, Janyce Collins & Rick Cox, stemmen • 8. The blueprint of promise. Read Miller & Janyce Collins, stemmen • Smith, Chas. 9. After. 10. Santa Fe. 11. October '68. 12. Scircura. Chas Smith, steel gitaar & dobro • Cox. Rick. 13. These things stop breathing. 14. Taken from real life. Rick Cox, geprepareerde elektrische gitaar en stem. Marty Walker, klarinet • Lentz, Daniel. 15. Slow motion mirror. 16. Midnight White. 17. Solar cadence. Joanne Christensen, Arlene Flynn Dunlap, Richard Dunlap & Garry Eister, stemmen en keyboards. Daniel Lentz, echo's • 18. Dancing on the sun. Arlene Flynn Dunlap, stem en piano. Daniel Lentz, echo's • Cold Blue Music CB0014 • Nikko Wolverine • Smith, Chas. 1. Nikko Wolverine. 2. Tons tons macoutes. 3. Genus, sho-bud. 4. Near the divide. Chas Smith, alle instrumenten • Cold Blue Music CB0003 • Descent • Smith, Chas. 1. Descent. 2. Endless mardi grass. 3. False Clarity. Chas Smith, gitaren, machines en elektronica • Cold Blue Music CB0023 • On the leopard altar • Lentz, Daniel. 1. Is it love?. 2. Lascaux. 3. On the leopard altar. 4. Wolf is dead…. 5. Requiem. Jessica Lowe, Paul MacKey, Susan James & Dennis Parnell, stemmen en wijnglazen. Brad Ellis, David Kuehn, Arlene Dunlap & Daniel Lentz, keyboards en wijnglazen • Cold Blue Music CB0022 • 00:00 Los tigres de marte • Lentz. Daniel. 1. Los tigres de marte. Marty Walker, klarinet. Brad Ellis & Daniel lentz, keyboard. Peter kent & Robin Lorentz, viool. Maria Newman, altviool. Erika Duke-Kirkpatrick, cello. Cold Blue Music CB0016 • 00:16 Long night • Gann, Kyle. 1. Long night. Sarah Cahill (piano) • Cold Blue Music CB0019 • 00:42 From Shelter • Peters, Steve. 1. Three Short Stories. 2. My burning skin to sleep. Marghreta Cordero, stem. Alicia Ultan, altviool. Steve peters, piano. Cold Blue Music CB00118 • 00:59 The city the wind swept away • Fox, Jim. 1. The city the wind swept away. Alex Iles & Jeannie Little, trombone. Bob Sanders & David Stetson, bastrombone. Bryan Pezzone, piano. Peter Kent & Robin Lorentz, viool. Maria Newman, altviool. Erila Duke-Kirkpatrick, cello. Cold Blue Music CB0015 • 01:22 A temperament for angels • Fink, Michael Jon. 1. A temperament for angels. Robin Lorentz, viool. Erila Duke-Kirkpatrick, cello. Jonathan Marmor, bekkens. Michael Jon Fink, bekkens en keyboards • Cold Blue Music CB0017 • 01:52 The complete 10-inch series fron cold blue • Garland, Peter. 1. Matachin Dances. Ronald Erickson & John Tenney, viool. Peter Garland, percussie • Fink, Michael Jon. 2. Two pieces for piano solo. 3. Piano solo. Duncan Goodrich, piano • 4. vocalise. Erika Duke-Kirkpatrick, cello • 5. Veil for two pianos. Duncan Goodrich & Michael Jon Fink, piano • Childs, Barney. 6. Clay Music. Susan Rawcliffe, Lisette Rabinow Georgia Alwan & Scott Wilkinson, diverse fluiten • Miller, Read. 7. Mile zero hotel. Read Miller, Janyce Collins & Rick Cox, stemmen • 8. Mile zero hotel. Read Miller & Janyce Collins, stemmen • Smith, Chas. 9. After. 10. Santa Fe. 11. October '68. 12. Scircura. Chas Smith, steel gitaar & dobro • Cox. Rick. 13. These things stop breathing. 14. Taken from real life. Rick Cox, geprepareerde elektrische gitaar en stem. Marty Walker, klarinet • Lentz, Daniel. 15. Slow motion mirror. 16. Midnight White. Joanne Christensen, Arlene Flynn Dunlap, Richard Dunlap & garry Eister, stemmen en keyboards. Daniel Lentz, echo's • 17. Solar cadence. Joanne Christensen, Arlene Flynn Dunlap, Richard Dunlap & Garry Eister, stemmen en keyboards. Daniel Lentz, echo's • 18. Solar cadence. Arlene Flynn Dunlap, stem en piano. Daniel Lentz, echo's • Cold Blue Music CB0014 • 04:28 Nikko Wolverine • Smith, Chas. 1. Nikko Wolverine. 2. Tons tons macoutes. 3. Genus, sho-bud. 4. Near the divide. Chas Smith, alle instrumenten • Cold Blue Music CB0003 • 05:22 Descent • Smith, Chas. 1. Descent. 2. Endless mardi grass. 3. False Clarity. Chas Smith, gitaren, machines en elektronica • Cold Blue Music CB0023 • 06:12 On the leopard altar • Lentz, Daniel. 1. Is it love?. 2. Lascaux. 3. On the leopard altar. 4. Wolf is dead…. 5. Requiem. Jessica Lowe, Paul MacKey, Susan James & Dennis Parnell, stemmen en wijnglazen. Brad Ellis, David Kuehn, Arlene Dunlap & Daniel Lentz, keyboards en wijnglazen • Cold Blue Music CB0022

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