Audiosphere Sound Experimentation 1980 – 2020. Part 44.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Pali Meursault. Cycle #2 (Offset). 4:56.
02. Panchasila. Canción de la Emperatriz. 4:28.
03. Pandelis Diamantides. New Ideas for Increased Mobility. 3:26.
04. Panzar (Peter Andersson). Disorder-Gepanzert [fragment]. 6:32.
05. Pascal Battus. Limb [fragment]. 5:55.
06. Patrick Higgins. Dossier [fragment]. 5:10.
07. Paul Baran. The Human Republic of Haiti [fragment]. 5:31.
08. Paul Dickinson. Owl v. Microphone [fragment]. 5:32.
09. Paul Panhuysen. Stalin [fragment]. 5:05.
10. Paul Prudence. Obsidian. 5:18.
11. PBK (Phillip B Klingler), Mark Spybey, John Butcher, Travis Johnson. Heat on Earth [fragment]. 6:03.
12. Yota Morimoto. mono1. 2:00.
