Resonator

00:00 / Resonator Spot
00:26 / tibslc – Until The End Of Time
03:12 / Oren Ambarchi & Will Guthrie – This Cold Shoulder
08:30 / Kate Carr – Walking through Soho with tourists and delivery guys
10:18 / Aho Ssan – 100 Suns, Pt. IV
14:33 / Yannick Dauby – Moltrecht’s Treefrog
16:13 / Tom Wheatley – Fencing Accident
17:50 / Trigger Happy – Triggers
20:33 / François Bayle – le vaisseau Nadir
22:23 / Lifted & More Eaze – The Ice Chewers (Opening Credits)
25:30 / Victoria Mingot – Zero Sensuality
26:43 / Nein Flower – The Unshadow
29:00 / Aeson Zervas – Χωρίς τίτλο 22
31:37 / Gas – Das Moor
34:44 / Marco Zenker – Intuition Dub
38:22 / Loraine James – A Long Distance Call
41:53 / Seraphim – A4 (London Is Tired of Me)
44:25 / The MerKaBa Brotherhood – Galgalim
46:40 / The Sprigs – Ratty & The Moles Get To Work
49:20 / Judith Hamann, James Rushford – Midmeste B
54:40 / Jason Molina – Let Me Go Let Me Go Let Me Go

tibslc
Traversing through meticulous fragments of sound, tibslc entices the listener to her synthetic dreamworld with an album of deep, euphonic electronics. Serene moments of singer-songwriting are sprinkled throughout and remind us of the artist’s delicate ability to captivate with her ethereal voice.
https://coclear.bandcamp.com/album/city-of-something

Oren Ambarchi & Will Guthrie
On Cold Shoulder, Oren Ambarchi and Will Guthrie distil decades of experiment into a quietly blazing live duo set: spiralling Leslie‑soaked guitar and hyper‑sensuous drums move from hovering abstraction to glowing, melodic clarity with the ease of players who no longer need to prove anything.
https://futuraresistenza.bandcamp.com/album/cold-shoulder

Kate Carr
Kate Carr’s practice explores the textures and technologies of field recording using movement, objects and experimental recording techniques. She creates intimate, delicate and hybrid soundworlds which emphasise interactions and shared experiences within them.
https://katecarr.bandcamp.com/album/vertical-london-new-year-s-day

Aho Ssan
Aho Ssan debuted “Simulacrum” at Berlin Atonal 2019. After studying graphic design and cinema, he started composing electronic music and creating his own digital instruments. Shortly thereafter Niamké went on to win the Foundation France television prize for his soundtrack to the 2015 film “D’Ingha Mago,” and has since worked on several projects affiliated with IRCAM.
https://ahossan.bandcamp.com/album/the-sun-turned-black

Yannick Dauby
Sound artist and field recordist. Sound designer/mixer for cinéma. Audio documentary, experimental music and micro-movies enthusiast. Inspired by ethnographic practices, stories about forests & mountains and marine ecology. Collaborates with communities in rural Taiwan and Indigenous territories.
https://kalerne.bandcamp.com/album/maisimuk-kaimusu-listening-practice-2024-2026

Tom Wheatley
Tom Wheatley (b. 1991, London) is a composer and improviser, operating in the fractious and fertile interfaces of acoustic and digital sound, extending instruments via technique and technology. Beginning with the double bass, he also works with synthetic sound and processing, and plays a wide selection of instruments in collaboration with a broad range of performers and instrumentalists, from long-standing duos to one-off improvisations.
https://tomwheatley.bandcamp.com/album/agon-ost

Trigger Happy
Trigger Happy are a frenzied show quartet from Athens, working in the realm of staged performance and live sound collage assemblage — created in real time, without scissors or glue. The supergroup’s instrumentation consists of several hundred sounding objects, ranging from toy guns and wind-up soldiers to cracked vinyl turntables and soap bubbles. Trigger Happy’s live performances are total rock’n’roll, where the group’s short noise outbursts are intensified by explosive saxophone solos and intricate percussion rhythms.
https://tawpot.bandcamp.com/album/trigger-happy

François Bayle
A major work in François Bayle’s repertoire, Jeîta ou murmure des eaux provides a journey and an immersion into a world of unleashed energies, with the Jeîta cave serving both as a backdrop and a particle accelerator. Here, the cave indeed stands for the concrete source of the composer’s inspiration as much as the mind space where metamorphoses occur. By combining such figurative spaces and immaterial sound projections, François Bayle evokes another subject, an inhabitant of the multiple and symbolic cave: the listening subject, who always reveals himself, implicitly, at the heart of François Bayle’s musical concerns and the path he has always defended: the acousmatic approach.
https://francoisbayle.bandcamp.com/album/je-ta-ou-murmure-des-eaux

Lifted & More Eaze
the viewer, the listener, is taken on a ride into the unknown for a time. Movie, the newest album by DMV-based duo Lifted, is like a film shot with microphones rather than cameras, using the pacing, spatialization, and semiotics of cinematic sound design to lead us through a surreal soundworld that draws as much from Foley artistry as dub, jazz, and electronic music. Musical elements and field recordings shift in and out of focus, collaged in spontaneous improvisation sessions on CDJs by the core duo of Andrew Field-Pickering (Max D, Dolo Percussion, Beautiful Swimmers) and Matt Papich (Co La, Ecstatic Sunshine).
https://lifteddc.bandcamp.com/album/movie

Victoria Mingot
A roughly recorded stack of improvisations on a classical-style guitar, God Spill embodies the broken, all while un-doing the expectations around traditional guitar folk. Mingot’s fingerpicked tones meld with unsteady pedal loops and hissed drones rotating through flawed circuitry. A slow to becoming repair that is translucent, cryptic and oblique.
https://victoriamingot.bandcamp.com/album/god-spill

Nein Flower
Nein Flower is the debut album from the newly formed duo of David “Nein Rodere” Roeder and Lila “Nowhere Flower” Jarzombek – a textural and instinctive work assembled through DIY 4-track recording techniques, tape manipulation, damaged acoustics and meticulous layering of composed and improvisational passages.
https://nowhereflower.bandcamp.com/album/nein-flower

Aeson Zervas
Continuing the saga that began with 2024’s self-titled LP, a hazy deconstruction of Greek folk memories that acted as a prelude to the surreal Egyptian street rave experiment ‘Hazlom’, ‘τρία’ is enigmatic composer Aeson Zervas’ most confounding set to date. He takes the opportunity to darken his shadowy autobiography; so far, all that’s been revealed is that he’s reclusive, based in Missolonghi in western Greece and can trace his ancestry back to North Africa – details get murky when examined further.
https://heatcrimes.bandcamp.com/album/-

Gas
Electronic music artist from Cologne, Germany. Known for co-founding the German techno label Kompakt alongside Michael Mayer and Jürgen Paape.
https://kompakt-gas.bandcamp.com/album/november-89

Marco Zenker
Co-founder of Munich’s Ilian Tape together with his brother Dario Zenker.
https://iliantape.bandcamp.com/album/itlp12-channel-balance

Loraine James
Loraine James (born 18 December 1995), also known as Whatever the Weather, is a British electronic music producer and musician.
https://lorainejames.bandcamp.com/album/detached-from-the-rest-of-you

Seraphim
seraphim is a group whose personnel are unknown to each other :::
you may already be a member
https://lostdomain.bandcamp.com/album/london-is-tired-of-me

The MerKaBa Brotherhood
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It’s a spare and almost geometric record featuring Sax, keyboard and percussion.
https://mississippirecords.bandcamp.com/album/the-merkaba-brotherhood

The Sprigs
Everything seems asleep, and yet going all the time. In the cold damp earth below, Mole, Ratty and Badger are working away on new homes for Mole’s uninvited guests. But Ratty picks up on terrible whispers from the Wild Wood Inn. Developers are making plans in the field above…and the landlords are up to no good…
https://beforeiglareupatthesun.bandcamp.com/album/for-red-riverbank

Judith Hamann, James Rushford
Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. Its title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years.
https://blacktruffle.bandcamp.com/album/midmeste

Jason Molina
Jason Molina (born December 30, 1973, Lorain, Ohio, USA – died March 16, 2013, Indianapolis, Indiana, USA) was an American musician and singer-songwriter. He came to prominence performing and recording as Songs: Ohia, both in solo projects and with a rotating cast of musicians. From 2003 onwards, he recorded either under his own name or with a stable lineup of band members as the Magnolia Electric Co.
https://www.discogs.com/master/1233738-Jason-Molina-Let-Me-Go-Let-Me-Go-Let-Me-Go?srsltid=AfmBOoqvS-sTSH8HA-lkA6tMWLmm5PE2Y7mWGh6ZiW1MSAH_eF40Kidd