#108. Een programma over onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.
1. We Should Take Nothing for Granted! Listening Conditions for an Alert and Knowledgeable Citizenry (Radio Student/Radia network) by Matthew Biederman, Marko Peljhan, Brian Springer & Aljosa Abrahamsberg.
2. Videofreex Videofreex by Wave Farm/WGXC.
Jingles by Dr Klangendum herself.
“We Should Take Nothing for Granted! Listening Conditions for an Alert and Knowledgeable Citizenry” by Matthew Biederman, Marko Peljhan, Brian Springer & Aljosa Abrahamsberg.
Through the mining of the global radio spectrum for both recognizable voice communications as well as digital communications including encrypted, coded, open and proprietary modes, the work addresses current positions and debates about the notions and structuring of privacy, surveillance states, safety and active civic potentials to engage and re-imagine the relationship between the global citizenry and sovereign actors with the military industrial complexes including their visible, opaque and dark structures.
The title is based on Dwight D. Eisenhower’s farewell address of 1961 wherein he warns of the dangers of an unchecked military industrial complex, the extinction of creative free-thinking within higher education, and the extraction of natural resources without consideration for their renewal. The address is extremely relevant today in light of recent revelations of massive surveillance programs, perpetual information and real wars, the reshaping of the university complex and intensified resource extraction.
Eisenhower’s speech was not a dark forecast but instead stated that ‘only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals…’ The text serves as the foundation for a set of Systemic activities in the fields of communications security, data aggregation, analysis and display and retransmission. The work reflects on the conditions for the development of ‘an alert and knowledgeable citizenry’ in societal circumstances that, despite constitutional protections, do not warrant them.
Abrahamsberg, Biederman, Peljhan and Springer have been involved in activities dealing with the art and science of radio and telecommunications through the prism of radio art, technical culture, television, film, conceptual art, electronic music, media arts and tactical media since the 1980’s and 1990’s, in projects such as Ladomir-faktura, Makrolab, and Wardenclyffe.
They are currently working on ‘Systemic tactical environments’ implementing the meshing of software defined radios, data aggregation, analysis and display.
by Wave Farm/WGXC
Listen to the story of the Videofreex, from some of the original members of the video collective that began in the late 1960s in New York City. After meeting at Woodstock, the video art group was hired by CBS to do “60 Minutes”-meets-“Saturday Night Live” show that gets one pilot made. After that pilot, several CBS executives are fired. But Abbie Hoffman hires members of the group to write the pirate broadcasting chapter in “Steal This Book” and pays them with video transmission equipment. So the Videofreex head upstate to Greene County and start Lanesville TV, what might be America’s first pirate television station. Interviews are excerpted here from many sources: Skip Blumberg and Parry Teasdale speak at a recent Dorsky Museum talk about the group, broadcast by Wave Farm Radio. Jon Nealon, the filmmaker at the helm of the just-released documentary, “Here Come the Videofreex!” is also interviewed here, as is Andrew Ingall, the curator of the show about the group that is at the Dorsky Museum through July 2015. Videofreex are represented by Video Data Bank in Chicago.