Resonator

00:00 Resonator Spot
00:26 Mike Cooper – A Land Of Remorse
03:24 Siavash Amini – Maculate
08:30 BJNilsen – Unseen Pull
11:05 Curtis Roads – Touche Pas
13:20 Richard Hronský – Pohreb (Pt. I)
15:03 Joanne Robertson [ft. Oliver Coates] – Gown
17:59 Juho Toivonen – Luosta
19:25 njk – MskHmJ=7
22:38 The Necks – Causeway
30:03 Frau Hagen – Bruksnr. 319
31:51 Demdike Stare and Kristen Pilon – Run It
35:41 Ak’chamel, The Giver Of Illness – To Travel the Path of Every Sickness
39:02 Ellen Arkbro, Hampus Lindwall, Hanne Lippard – Timing
43:44 Felicity Mangan – Magnet, Paper, Frog
47:03 Lawrence English – Thaw
49:50 Savvas Metaxas – gml, Pt. 1
55:02 Marc Sabat – Streams Barely in Winter 3 – Stones
56:51 Warm Currency – Her House

Mike Cooper
Mike Cooper has traced a path completely his own for the past 60 years as an international musical explorer, lap steel guitarist, singer, improviser and composer, performing and recording, solo and in a number of inspired groupings and a variety of genres. stretching the possibilities of the guitar with an eclectic mix of the many styles he has practiced over the years.
https://mikecooper.bandcamp.com/album/when-a-screaming-comes-across-the-sky

Siavash Amini
Siavash Amini is a composer from Tehran, Iran. He Has worked with the labels Room40, Hallow Ground, Opal Tapes and Umor Rex for the better half of the past ten years. He also has collaborated with a wide range of international artists including Rafael Anton Irisarri, 9T Antiope, Heinali and Zenjungle. He Has remixed tracks for Carl Craig, Bernard Szajner, LTO and the duo Arigto. He has performed at CTM festival, MUTEKes, Silent Night Prague and many other well known international venues and events.
https://siavashamini.bandcamp.com/track/maculate

BJNilsen
BJ Nilsen Is a sound and recording artist. His work is based on the sound of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer. His latest album is “Eye Of The Microphone” [Touch, 2013] – a somewhat surreal audio rendition of the sounds of The City of London
https://bennynilsen.bandcamp.com/album/true-than-nature

Curtis Roads
Curtis Roads is an American composer, author and computer programmer. He composes electronic and electroacoustic music, specializing in granular and pulsar synthesis
https://ellirecords.bandcamp.com/album/electronic-music-1994-2021

Richard Hronský
A versatile artist from Slovakia, Richard Hronský is interested in visual arts, drawing, photography, field recordings, experimental sound and playing the fujara (a large traditional Slovakian wind instrument almost two metres high). He has released two albums (“Konspekt”, 2022 & “CLOSURES”, 2023) and several singles. He also plays in a duo with Krištof Krupa. In his live performances, he focuses on decomposing the sound of the fujara through electronic processing, shaping compositional harmonies into dreamscapes.
https://mappa.bandcamp.com/album/pohreb

Joanne Robertson
Singer, songwriter, guitarist and painter from Blackpool, UK.
https://joannerobertson.bandcamp.com/album/blurrr

Juho Toivonen
uho Toivonen (b. 1997) is an experimental musician from Pori, Finland, known for his minimalist and home-recorded compositions. His work has been released in multiple countries, including the United States, the UK, Sweden, and the Netherlands. He actively collaborates with artists such as Loren Chasse and Mika Rättö.
Toivonen is also known for running the independent label Akti Records, which has released music by artists like Lau Nau, Acid Mothers Temple, Jackie-O Motherfucker, and Tetuzi Akiyama.
https://discreetmusicgbg.bandcamp.com/album/lapsikuninkaan-fanfaari

njk
Algorithmic Accompaniment seeks to sonically explore the emotional disconnection that deepens as we embrace a vision of progress, highlighting the alienation that comes with the pursuit of a digital Eden. Using heavily manipulated and degraded stems to craft dystopian, retrofuturist, and non-sellable jingles, the record reflects on our growing dependence on AI systems and how they risk sidelining essential human values like empathy, intuition, and social connection. This tech-driven narrative, with its focus on productivity and profit, raises urgent questions about power concentration, bias, control, inequality, privacy, and the erosion of personal autonomy.
https://stroomtv.bandcamp.com/album/algorithmic-accompaniment

The Necks
The Necks are one of the great cult bands of Australia. Not entirely avant-garde, nor minimalist, nor ambient, nor jazz
https://thenecksau.bandcamp.com/album/disquiet

Frau Hagen
Working in the cross section between Ambient, Musique Concrete and Noise, T. Jervell strives to strike a balance between chaos and order, silence and noise, texture and tone.
His works also includes dogmas and manifestos as compositional tools, and as means of distribution of physical artefacts.
https://falt.bandcamp.com/album/pa-stedet-hvil

Kristen Pilon & Demdike Stare
On their most explicit venture into music for moving image, Miles Whittaker & Sean Canty rudely fracture piano and vocal recordings by US filmmaker-musician Kristen Pilon in a short-circuiting of style and pattern that arguably amounts to some of their best yet on DDS. Yup it’s uncanny dream-within-a-dream type gear, landing somewhere between their commissions for Gruppo Di Improvvisazione Nuova Consonanza and creeping classics by The Caretaker.
https://demdikestare.bandcamp.com/album/to-cut-shoot

Ak’chamel, The Giver Of Illness
For over 15 years Ak’chamel have been cutting off the foreskin of enlightenment with a rusty castrator while tuning their broken lutes to the frequency of a prophetic meteor shower. Their live performances? Pure gonzo bedlam which drags listeners, kicking and raving, through voracious, anthropologically cryptic rites. Ak’chamel recklessly unravels the fabric of reality, stitches it back together with bloodied barbed wire, and hands you the fucking needle.
https://akuphone.bandcamp.com/album/the-totemist

Ellen Arkbro, Hampus Lindwall, Hanne Lippard
Hanne Lippard, Ellen Arkbro, and Hampus Lindwall’s How do I know if my cat likes me? is an existential meditation on the empty expanses of our automated everyday—corporatized minimalism tinged with cool formalism, structured by the deft deployment of sonic and lyrical repetition. By untethering sound from meaning through a pleasurably numbing cycle of repetition, the album satirizes the stultifying aesthetics of alienated life—from hold music to online banking—with a prim, deadpan delivery.
https://ellenarkbro.bandcamp.com/album/how-do-i-know-if-my-cat-likes-me

Felicity Mangan
Felicity Mangan is an Australian artist and composer based in Berlin, Germany. Felicity plays with her field recording archive and found sounds to create quasi-bioacoustic and poly’biorythmic music.
https://felicitymangan.bandcamp.com/album/string-figures

Lawrence English
Lawrence English. Philosopher of listening. Room40 Honcho. Generally questioning living, dying and everything else in-between.
https://lawrenceenglish.bandcamp.com/album/whiteout

Savvas Metaxas
Greek composer Savvas Metaxas returns to LINE with a fourth installment of the Magnetic Loops series.
https://lineimprint.bandcamp.com/album/magnetic-loops-iv

Marc Sabat
Canadian composer of Ukrainian descent Marc Sabat (*1965) has been based in Berlin since 1999. He makes pieces for concerts and installations, drawing inspiration from ongoing research about the sounding and perception of microtonal rational intonation (JI). He relates his practice to various music forms, seeking points of shared exploration and dialogue between different modes of experience and cultural traditions.
https://anothertimbre.bandcamp.com/album/bach-tunings

Warm Currency
Warm Currency—the duo of Australian artists/musicians MP Hopkins and Mary MacDougall—return for their third release on Horn Of Plenty, following up Returns (2022) and Live at the Petersham Bowling Club (2023).
https://warmcurrency.bandcamp.com/album/petals