De crimineelste jazz, blues en Latin muziek uit de jaren dertig, veertig, vijftig.
1. 2’47” Caravan (Tizol, Ellington) Barney Bigard Raretone RTE 2300.6
2. 2’02” This Can’t Be Love (Rodgers, Hart) Marty Bell Fresh Sound FSR V203
3. 3’45” Apple Honey (Herman) Woody Herman Solid Sender SOL 506
4. 8’05” Blues In C (Tatum, Carter, Bellson) Art Tatum AVID AMSC1353
5. 1’27” This Time The Dream’s On Me (Arlen, Mercer) June Christy
Capitol SC 052-81049
6. 2’35” How Deep Is The Ocean (Berlin) Ben Webster AVID AMSC1354
7. 2’13” Swanee River (Foster) Bunny Berigan RCA LPM 2078
8. 2’18” Every Dog Has His Day (Johnson, Douglas) Eddie Bo
Le Chant du Monde 274-3028-32
9. 3’16” Indiana Winter (Moore, Feather) Esquire All-American Award Winners
RCA 731.089
10. 2’53” Who’s Sorry Now (Snyder, Kalman, Ruby) Bob Cats Jam
Jazz Hour JHR 73534
11. 2’18” Lullaby In Rhythm (Hirsch, Goodman, Sampson, Profit) Patti Page
Mercury 125 045 MCL
12. 3’07” Fine And Dandy (Swift) Louis Armstrong-Earl Hines TCB 43072
13. 2’09” Bop-Pop (?) Elliot Lawrence Joyce LP-1004
14. 2’59” It’s A Brand New Boogie (Whittaker?) Tampa Red JSP 7744A
15. 2’19” Shady Lady Bird (Blane, Martin) Harry James London HMP 5038
16. 2’48” Gregarian Chant (Mingus) Charles Mingus Brilliant Jazz 8408/6
17. 2’19” Rock ‘n’ Roll Wedding (Brandt, Motola) Ella Mae Morse Capitol 1553041
18. 5’43” Boogie Woogie On St. Louis Blues (Handy) Earl Hines Storyville 101 6512
19. 4’39” Strike Up The Band (Gershwin, Gershwin) Charlie Parker
Frémeaux FA 1339.
Samenstelling & presentatie:
